Julian Trevelyan
1910–1988
- Born
- 1910, United Kingdom
- Died
- 1988, United Kingdom
- Gender
- Male
- Studio eras
- Listed in
- Moser Appendix (1977)
Printmaking manuals
- Etching: Modern Methods of Intaglio Printmaking (London / New York: Studio Vista / Watson-Guptill, 1963)
Atelier 17 group shows 8
- 1934Exhibition of Engravings and Etchings by Anthony Gross, S. W. Hayter, Joseph Hecht, Max Ernst, S. Brignoni, D. Husband, A. Szenes, J. Trevelyan, L. Vargas
Leicester Galleries, London, United Kingdom · February 1934
Notes and sources
Sources
Catalogue of an Exhibition of Engravings and Etchings by Anthony Gross, S. W. Hayter, Joseph Hecht, Max Ernst, S. Brignoni, D. Husband, A. Szenes, J. Trevelyan, L. Vargas. Exhibition catalogue, Exhibition no. 570. London: Ernest Brown & Phillips, The Leicester Galleries, February 1934.
- 1935Le groupe de l’Atelier 17
Galerie Pierre, Paris, France · until May 25, 1935
Notes and sources
Hayter's preface for this exhibition, signed "H.," was located in Swedish translation in the journal Konstrevy (1935) by James Chadwick. It names 22 exhibiting artists and describes the plaster-relief method alongside paper prints.
About the exhibiting artists
The preface, signed "H." (Hayter), lists 22 exhibitors and was published in Swedish in Konstrevy (1935). A review in L'Intransigeant (May 26, 1935) singles out Brignoni, Vieillard, Vulliamy and Catherine Yarrow and names Dalí and Ernst as the group's two influences. Konstrevy gives Buckland Wright's first name as "Frank"; linked here to John Buckland-Wright.
Sources
Stanley William Hayter, letter to Julian Trevelyan, March 7, [1935], TREJ 16_19, Papers of Julian Otto Trevelyan, Trinity College, Cambridge University. In this letter, Hayter describes the show and lists the potential and confirmed exhibitors.
H. [S. W. Hayter], "Le groupe de l'atelier 17," Konstrevy 11 (1935): 155–57.
"Paris Notes," Axis 3 (July 1935): 28.
https://monoskop.org/images/3/34/Axis_3_Jul_1935.pdf"L'Exposition de l'Atelier 17," La Bete Noir, 1 June 1935: 4.
https://rapportgallica.bnf.fr/recherche?query=%28dc.identifier%20all%20%22bpt6k5569781h%22%29%20and%20%28gallica%20adj%20%22%22EXPOSITION%20DE%20L%27ATELIER%2017%22%22%29&aig=2&mb=5&lang=frLa Semaine à Paris, May 17, 1935, 46.
Marguerite Jouve, "Expositions," L'Intransigeant (Paris), May 26, 1935, 4. https://gallica.bnf.fr/ark:/12148/bpt6k7947577
- 1937Výstava skupiny pařížských grafiků “Atelier 17”
Spolek Výtvarných Umělců Mánes, Prague, Czechoslovakia · January to February 1937
Notes and sources
Thank you to Katarina Kyselica, Principal at KADS New York, who retrieved this catalogue from the library of the Prague National Gallery. The hosting venue, SVU Manes, was founded in 1887 as an artists association and is still active today.
Sources
Výstava skupiny pařížských grafiků "Atelier 17." Exhibition catalogue. Prague: Spolek výtvarných umělců Mánes, 1937.
- 1944New Directions in Gravure: Hayter and Studio 17
Museum of Modern Art, New York, New York · June 28 to October 8, 1944
Traveled to
- Cincinnati Modern Art Society, Cincinnati, Ohio · December 2 to December 16, 1944
- Baltimore Museum of Art, Baltimore, Maryland · January 4 to January 25, 1945
- St. Paul Gallery and School of Art, Minneapolis, Minnesota · February 4 to February 25, 1945
- Detroit Institute of Arts, Detroit, Michigan · March 11 to April 1, 1945
- Art Institute of Zanesville, Zanesville, Ohio · April 14 to May 5, 1945
- San Francisco Museum of Art, San Francisco, California · May 29 to June 26, 1945
- Fort Worth Art Association, Fort Worth, Texas · September 1 to September 25, 1945
- Museum of the Cranbrook Academy of Art, Bloomfield Hills, Michigan · November 4 to November 25, 1945
- Henry Gallery, University of Washington, Seattle, Washington · January 14 to February 4, 1946
- School of the Museum of Fine Arts, Boston, Boston, Massachusetts · February 18 to March 11, 1946
- Willard Straight Hall, Cornell University, Ithaca, New York · March 25 to April 15, 1946
- Vassar College, Poughkeepsie, New York · May 18 to June 8, 1946
- Lyceum y Lawn Tennis Club, Havana, Cuba · November 19 to November 25, 1946
- Instituto Chileno-Norteamericano de Cultura, Santiago de Chile, Chile · April 23 to May 7, 1947
- Galleria Viau, Buenos Aires, Argentina · August 28 to September 13, 1947
Notes and sources
Sources
James Johnson Sweeney, "New Directions in Gravure: Hayter and Studio 17," Bulletin of the Museum of Modern Art 12, no. 1 (August 1944).
- 1962Hayter and Atelier 17, 1927-1962
Institute of Contemporary Arts, London, United Kingdom · June 15 to July 14, 1962
Notes and sources
Sources
Hayter and Atelier 17, 1927-1962 (London: Institute of Contemporary Arts, 1962).
- 1967S. W. Hayter et l’Atelier 17
Palais des Beaux-Arts, Charleroi, Belgium · February 18 to March 12, 1967
Notes and sources
About the exhibiting artists
The catalogue lists Marcel Duchamp's Les deux Frères (no. 20) in the Paris 1927–1939 section, but there is as yet no evidence that Duchamp participated in Atelier 17 during the prewar period.
Sources
S. W. Hayter et l'Atelier 17 (Charleroi: Palais des Beaux-Arts, 1967); exhibition invitation, Tate Archive, Papers of Stanley William Hayter, 200510/3/202/1.
- 1977Atelier 17: A 50th Anniversary Retrospective Exhibition
Elvehjem Art Center, University of Wisconsin, Madison, Wisconsin · October 9 to December 4, 1977
Traveled to
- University of Iowa Museum of Art, Iowa City, Iowa · December 16, 1977 to February 26, 1978
- The Brooklyn Museum, Brooklyn, New York · March 18 to May 14, 1978
- University of Michigan Museum of Art, Ann Arbor, Michigan · June 4 to July 30, 1978
- Krannert Art Museum, University of Illinois, Champaign, Illinois · August 20 to October 1, 1978
Notes and sources
Sources
Moser, Joann. Atelier 17: A 50th Anniversary Retrospective Exhibition. Madison: Elvehjem Art Center, University of Wisconsin–Madison, 1977.
- 1981Atelier 17: 1927 Paris New-York 1950
Galerie de Seine, Paris, France · October 22 to November 28, 1981
Notes and sources
About the exhibiting artists
Pablo Picasso is included in the checklist (no. 87, "Combat," 1937, burin), but this print is not linked to Atelier 17.
Sources
Exhibition brochure, Tate Archive, Papers of Stanley William Hayter, 200510/3/112/1.